Harriet Sohmers Zwerling, The Studies Building, ca. 1949, gelatin silver print. Gift of the artist.
In the final segment of my podcast interview with Ruth Ericson we conclude with a discussion about Merce Cunningham and some of the other dancers and choreographers at Black Mountain College.
Hazel Larsen Archer, Elizabeth Schmitt Jennerjahn and Robert Rauschenberg, c. 1952, gelatin silver print, 6 1/4 x 9 ¼ inches. Estate of Hazel Larsen Archer and Black Mountain College Museum and Arts Center.
Symmetry as contrast and polarity. Each house is exactly the same, while at the same time, each house is interesting and unique. There's nothing lazy going on here. This is the idea behind the "Mirror Houses."
There are so many things to be learned about Black Mountain College (BMC)—about how the school came into being in 1933 and what went on for the 24 years of its existence, as well as studying the institution’s unrivalled broad appeal to artists and intellectuals of that era, within the Americas, including African-Americans and Asian-Americans, and all the contributors of Europe.
László Moholy-Nagy, Plexi-Chrome Sculpture, 1947, vintage gelatin silver print, 8.875 x 6.25 inches. Collection of Michael Reid.
The Modus House is a statuesque design that's simultaneously sleek, bold and understated. With a parti based on simple geometric lines, it's a unified concept of creative physicality that should function well as a purposeful building or as an architecture-inspired interdisciplinary work of art.